By Desa Philadelphia

Streaming services and other online hubs have exposed American audiences to many international stories, increasing Hollywood’s willingness to invest in filmmakers with a global perspective. School of Cinematic Arts alumni, who came to Los Angeles as international students are working to make their mark on the American scene. Among them is filmmaker Wubetu Shimelash, who grew up as a shepherd in Ethiopia and continues to root his storytelling in his cultural heritage. We asked him about his goals for making films in Hollywood.

Why did you move to Los Angeles?

About a decade ago, I visited Disneyland in California and was enchanted by the talking cars in their car-themed park. That magical moment, where technology and storytelling intertwined so perfectly, ignited a spark in me. I knew deep down that Los Angeles was where I wanted to be. Having grown up in the majestic Simien Mountains of Ethiopia, where storytelling is deeply ingrained in community traditions, I developed a strong appreciation for the power of narrative and visual storytelling. The transition from the natural grandeur of my upbringing to the bustling skyscrapers of Los Angeles has been an incredible journey of exploration and contrast for me.

Moving to Los Angeles has been an exhilarating leap into the heart of the film industry. It's where my childhood wonder meets my adult aspirations, where the magic of storytelling comes alive every day. Surrounded by limitless opportunities and unwavering support, I am living my dream in a city that embraces innovation and drives my passion forward. Los Angeles isn't just a destination—it's my creative sanctuary, and I am excited about the endless possibilities that lie ahead

What do you think is the difference between pursuing a career in Hollywood vs. being a filmmaker in one of the African film industries?

I think the difference between pursuing a career in Hollywood and being a filmmaker in one of the African film industries is shaped by distinct challenges and unique opportunities.
In Hollywood, filmmakers benefit from unparalleled resources, advanced infrastructure, and robust industry support. This environment enables large-scale productions with substantial budgets, the latest film technologies, and access to global distribution networks. Hollywood films often resonate with international audiences by reflecting Western culture and global themes, emphasizing commercial viability and widespread appeal.

On the other hand, as a filmmaker in Africa, such as in Ethiopia, we face significant obstacles. The African film industry contends with limited infrastructure, funding constraints, and inadequate access to advanced equipment and post-production facilities. Securing financing for projects is challenging due to scarce government support, minimal private investment, and limited international funding opportunities. Distribution within Africa and globally is hindered by sparse cinema chains, strict market requirements, and preferences for Western cinema.

Despite these challenges, African filmmakers like myself bring a unique perspective rooted in rich cultural heritage, diverse landscapes, and community-based storytelling. We explore local narratives, traditions, and socio-political issues specific to our continent, contributing to regional diversity and fostering cross-cultural understanding. I also believe that, while Hollywood prioritizes global appeal and commercial success, African cinema focuses on cultural identity and local perspectives, striving to overcome barriers through creativity, resilience, and community support.

What has been most impactful about your time at SCA? For example, what did you learn or who did you meet that has impacted your training as a filmmaker?

One of the most impactful aspects of my SCA experience has been the mentorship I received from renowned faculty members deeply embedded in the industry. Lisa Leeman, Mark Jonathan Harris and Bruce A. Block, in particular, challenged me to think critically and creatively about storytelling, refining my approach in profound ways.

As an Student Assistant, I also taught three classes at USC. Teaching Advanced Directing, Producing, and Commercial and Music Video Production classes for Master's students at SCA was not only a privilege but also a deeply fulfilling way to give back to the community. It allowed me to share my passion and industry insights while mentoring emerging talents, fostering dynamic exchanges of ideas that enriched both my teaching and my own filmmaking practice.

Collaborating with fellow filmmakers at SCA was equally enriching. Together, we embarked on impactful projects such as "I Am More Dangerous Dead," shedding light on the environmental and human rights impacts of unethical oil extraction in Nigeria. "Blackfire," a poignant exploration of racial identity and systemic racism in America, and (my own documentary) "Shepherd's Calling.” Our films, including "Blackfire" and "I Am More Dangerous Dead," garnered prestigious awards from the Directors Guild of America West. "Shepherd's Calling" has been submitted for DGA consideration and also screened at Essence Film Festival in Louisiana. All our projects continue to resonate in festivals worldwide, amplifying their reach and influence.

Additionally, the diverse cohort of students at SCA enriched my training by exposing me to different storytelling traditions and cultural narratives from around the world. Overall, my experience at SCA equipped me with practical skills, deepened my theoretical knowledge, and cultivated invaluable industry connections. 

What would you like to do in the future? What kind of career do you want?

I aspire to continue creating impactful films that resonate with diverse audiences globally. Although I am now a socially conscious filmmaker in the heart of Hollywood, my journey began with humble beginnings. At the age of six, I proudly tended to my family's 200 sheep, along with a few cows and horses. As a shepherd, I hunted with the animals for food, slept in caves with them, and created fires by striking rocks together to cook and keep us all warm. Life there was simple and grounded—seeing a car was rare, the idea of film and electricity unimaginable, and my outfits were crafted from sheep wool and skin.

When I started school, I walked barefoot for five hours round trip every day. Later, I made shoes out of old car tires to ease the journey. I did my homework by candlelight with my feet in cold water to stay awake. These early experiences taught me invaluable lessons about resilience, resourcefulness, and the profound connection between humans and nature. They deeply influenced my storytelling.

Currently, I am actively developing another film that delves into the profound conflict unfolding in Ethiopia's Simien Mountains National Park, where local farmers and conservationists struggle over shared resources and strict rules. While conservationists strive to safeguard rare, endangered wildlife (Walia Ibex, Gelada Baboon, and Ethiopian Red Wolves), local communities depend on the land for their survival. I am currently in the process of raising funds to bring this impactful story to the screen and look forward to shedding light on these pressing issues.

I also started the Habesha Film Association with fellow Ethiopian filmmakers to bridge the gap between the East African and global film industries. As the director of communications for the organization, I am dedicated to fostering connections and promoting East African cinema on a broader stage.