Mary Celeste Kearney
AUDIOvisual Media: An Introduction (p.4)
Read - Order Reprint
James Tobias
Pandemonium Regained: Synchronization, Dissonance, and the Devil (p.8)
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Bhaskar Sarkar
Sound Bites: Fragments on Cinema, Sound, Subjectivity (p.22)
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Scott D. Paulin
Unheard Sexualities?: Queer Theory and the Soundtrack (p.36)
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Sean Portnoy<
Unmasking Sound: Music and Represenation in The Shout and Blue (p.50)
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Susan Knobloch
The Graduate as Rock ‘n' Roll Film (p.60)
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Tim Anderson
Which Voice Best Becomes the Property?”: Ties-Ups, Intertexts, and Versioning in the Production of My Fair Lady (p.74)
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Robert David Simmons
MTV Goes Techno: The Advent of amp (p.92)
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Bill Whittington
Surround Sound and Science Fiction (p.102)
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Bill Whittington
Audio Arabesque: New Sound Technologies and Techniques for Film, Television, and PCs
An Interview of Tomlinson Holman (p.110)
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Issue:
Spring/Summer 1997 (Vol.17.2)
AUDIOvisual Media