September 25, 2018, 7:30 P.M.
The Albert and Dana Broccoli Theatre, SCA 112, George Lucas Building Lobby, USC School of Cinematic Arts Complex, 900 W. 34th Street, Los Angeles, CA 90007
Outside the Box [Office] and 4th Row Films invite you and a guest to attend a special advance screening of
Directed by Robert Greene
Produced by Douglas Tirola, Susan Bedusa, and Bennett Elliott
Followed by a Q&A with Robert Greene
Moderated by Dr. Michael Renov, Vice Dean of Academic Affairs
7:30 P.M. on Tuesday, September 25th, 2018
The Albert and Dana Broccoli Theatre, SCA 112
900 W. 34th Street, Los Angeles, CA 90007
FREE ADMISSION. OPEN TO THE PUBLIC. RSVPs REQUIRED.
"CRITIC’S PICK. A profoundly haunted and haunting film. Every important thing this movie is about is still alive." – A.O. Scott, The New York Times
"A formally rich, ambiguously layered new documentary - you could scarcely find a more stimulating or provocative cinematic treatise than this one. In less assured hands, Bisbee ’17 might have come across as an overly schematic thought experiment, rather than the coolly riveting, emotionally galvanizing achievement it is: a movie that doesn’t just put history on trial, but reminds us that we’re never not living it." – Justin Chang, The Los Angeles Times
Opens in Los Angeles at the Laemmle Monica Film Center and the Laemmle Pasadena Playhouse 7 on September 28th, 2018.
About Bisbee '17
Bisbee '17 is a nonfiction feature film by award-winning filmmaker Robert Greene set in Bisbee, Arizona, an eccentric old mining town just miles away from both Tombstone and the Mexican border.
Radically combining collaborative documentary, western and musical elements,the film follows several members of the close knit community as they attempt to reckon with their town’s darkest hour. In 1917, nearly two-thousand immigrant miners, on strike for better wages and safer working conditions, were violently rounded up by their armed neighbors, herded onto cattle cars, shipped to the middle of the New Mexican desert and left there to die. This long-buried and largely forgotten event came to be known as the Bisbee Deportation.
The film documents locals as they play characters and stage dramatic scenes from the controversial story, culminating in a large scale recreation of the deportation itself on the exact day of its 100th anniversary. These dramatized scenes are based on subjective versions of the story and offer conflicting views of the event, underscoring the difficulty of collective memory, while confronting the current political predicaments of immigration, unionization, environmental damage and corporate corruption with direct, haunting messages about solidarity and struggle.
Provided courtesy of 4th Row Films. Rated PG. Running time: 112 minutes.
Visit the Official Website: https://www.bisbee17.com/
Visit the Facebook Page: https://www.facebook.com/bisbee17/
Visit the Twitter Page: https://twitter.com/Bisbee17Film/
About the Guests
ROBERT GREENE (Director, Editor)
Robert Greene’s latest film BISBEE ’17 premiered at the 2018 Sundance Film Festival. His previous, KATE PLAYS CHRISTINE, won a Jury Award for Writing at Sundance 2016. Robert’s documentaries include the Gotham Awards-nominated ACTRESS (2014), FAKE IT SO REAL (2011) and the Gotham Awards-nominated KATI WITH AN I (2010). Robert was an inaugural Sundance Art of Nonfiction fellow in 2015 and has been twice nominated for Best Director at the Cinema Eye Honors. His first documentary, OWNING THE WEATHER (2009), screened at the COP15 in Copenhagen. Robert has edited many films, including GOLDEN EXITS (2017), QUEEN OF EARTH (2015) and LISTEN UP PHILIP (2014) by Alex Ross Perry, Amanda Rose Wilder’s award-winning APPROACHING THE ELEPHANT (2014), Charles Poekel’s Spirit Awards-nominated CHRISTMAS, AGAIN (2015) and Douglas Tirola’s HEY BARTENDER (2013). Robert writes for Sight & Sound and is the Filmmaker-in-Chief for the Murray Center for Documentary Journalism at the University of Missouri.
DR. MICHAEL RENOV, SCA Vice Dean of Academic Affairs (Moderator)
Michael Renov, professor of Critical Studies and Vice Dean for Academic Affairs, is the author of Hollywood's Wartime Woman: Representation and Ideology and The Subject of Documentary, editor of Theorizing Documentary, and co-editor of Resolutions: Contemporary Video Practices, Collecting Visible Evidence, The SAGE Handbook of Film Studies and Cinema’s Alchemist: The Films of Peter Forgacs.
In 1993, Renov co-founded Visible Evidence, a series of international and highly interdisciplinary documentary studies conferences that have, to date, been held on five continents. He is one of three general editors for the Visible Evidence book series at the University of Minnesota Press, which has published 27 volumes on various aspects of nonfiction media since 1997. In 2005, he co-programmed the 51st annual Robert Flaherty Seminar, a week-long gathering of documentary filmmakers, curators, and educators, creating 20 screening programs and filmmaker dialogues on the theme "Cinema and History."
In addition to curating documentary programs around the world, he has served as a jury member at documentary festivals including Sundance, Silverdocs, the Buenos Aires International Independent Film Festival, Brazil's It's All True, the International Environmental Festival of Film and Video, also in Brazil, and DocLisboa in Portugal. He has taught graduate seminars at the University of Stockholm, Tel Aviv University and Central European University in Budapest, Hungary and has led documentary workshops in Jordan for the Royal Film Commission and in Cyprus. Renov's teaching and research interests include documentary theory, autobiography in film and video, video art and activism, and representations of the Holocaust.
About Outside the Box [Office]
Outside the Box [Office] is a weekly showcase for upcoming releases highlighting world cinema, documentary and independent film titles. Recognizing a need for greater diversity on campus, the series will draw from around the globe to present movies that may challenge, inspire or simply entertain.
To view the calendar of screenings, click here
To SUBSCRIBE to our MAILING LIST for upcoming free screenings and events, e-mail the word "Subscribe" to: email@example.com
Join our Public Group on Facebook: https://www.facebook.com/groups/223769338060863/
Check-In & Reservations
This screening is free of charge and open to the public. Please bring a valid USC ID or print out of your reservation confirmation, which will automatically be sent to your e-mail account upon successfully making an RSVP through this website. Doors will open at 7:00 P.M.
All SCA screenings are OVERBOOKED to ensure seating capacity in the theater, therefore seating is not guaranteed based on RSVPs. The RSVP list will be checked in on a first-come, first-served basis until the theater is full. Once the theater has reached capacity, we will no longer be able to admit guests, regardless of RSVP status.
The USC School of Cinematic Arts is located at 900 W. 34th St., Los Angeles, CA 90007. Parking passes may be purchased for $12.00 at the USC Royal Street Entrance, located at the intersection of W. Jefferson Blvd. & Royal Street. We recommend the USC Royal Street Structure, at the far end of 34th Street. Limited street parking is also available along Jefferson Blvd.
Name: Alessandro Ago