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News from 2007
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The School of Cinematic Arts joined in the live HD broadcast of the Metropolitan Opera's performance of Charles François Gounod's ROMEO ET JULIETTE, conducted by Placido Domingo on December 15.
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What began as a summer documentary seminar in 2006 has produced not only two successful student exchanges between Beijing and Los Angeles, but also a prize-winning film that gives viewers a unique cinematic glimpse of what happens both in front of and behind the lens when East meets West.
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Tony Award-winning actor Jason Alexander will serve as master of ceremonies for the 20th annual USC Libraries Scripter Award gala to be held February 2 at Doheny Memorial Library.
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Although Michael Klima ’03 and Kyle Ruddick ’04 say that their work at the School of Cinematic Arts was just as hard as any project created at their recently launched creative production company Eyestorm Productions, both admit the biggest hurdle before them is juggling multiple opportunities now that their latest collaboration—the next installment of the famous THX trailer gets ready to hit theaters nationwide.
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While the Writers Guild of America (WGA) strike is having an immediate impact on current television and film scribes, SCA students and recent alumni learned during a special forum hosted by the Writing Division that it can have long-term consequences on them as well.
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Hugh Hefner, the multi-media entrepreneur and longtime supporter of the University of Southern California, has donated $2 million to the USC School of Cinematic Arts to fund the central exhibition space in the heart of the school’s new 137,000-squarefoot headquarters complex, as well as an archival repository that will house decades of student films, production-related records and other priceless historic resources.
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Academy-Award winning director Robert Zemeckis ’73 delivered an early holiday present to the School of Cinematic Arts with a special screening of his adaptation of the classic Old English epic BEOWULF in Leonard Maltin’s 466 course on November 1 followed by a benefit premiere of the film on November 5.
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USC’s Half-Century Club honored Emeritus Professor Herb Farmer ’42 with its Most Active Alumni Award at the club’s luncheon for the class of 1957 during Trojan Parents’ Weekend on Friday, October 12.
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Director, screenwriter, and producer Costa-Gavras presented with Eisenstein Award.
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Producer Larry Turman reflects on a film that still resonates with audiences today, forty years after its debut.
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For years Hollywood success meant topping the U.S. box office, but mastering today’s entertainment world means thinking about the entire world, said Ignacio Darnaude, executive vice president of International Creative Marketing at Sony Pictures Releasing International, during a recent on-the-lot session for Peter Stark Producing students.
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1960s Madison Avenue advertising firms would be the last place you’d expect to look for the truth, but with his new hit Mad Men, Matthew Weiner ’90 has tapped an emotional current that transcends the decades and exposes the reality of life then and now.
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In a contemporary telescape filled with strong female leads, it’s hard to believe there was a time when a program about two women detectives would be considered groundbreaking. But as producer Barney Rosenzweig recounts in his new memoir, the 1982 launch of Cagney & Lacey turned programming, and the industry, on its head.
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Since its founding, the IML has worked with over 100 faculty members at USC and beyond, in addition to scores of teachers from K-12, to hone the philosophy and the teaching methods of a literacy based on multiple media—from text to moving- and still-images, to audio files and other databased resources.
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Writer, director and producer Robert Enders, who taught as an adjunct faculty member at the School of Cinematic Arts for 14 years, passed away on September 7 in Los Angeles.
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Seasoned producers Michael Peyser and John Watson, whose credits are among some of the most recognized titles in contemporary film, have joined the faculty of the school’s Film & Television Production Division
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Producers and other filmmakers need information, and Baseline StudioSystem trades in information. The company contributed to this natural alliance by donating use of the online database to the Peter Stark Program students.
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A new degree is the second doctoral track in the school, joining the Critical Studies Ph.D., which became the nation’s first Cinema Ph.D. in 1958.
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With some of Hollywood’s biggest blockbusters to his credit, Peter Stark Program alumnus John August ’94 has long enjoyed prominence in the upper echelons of Hollywood screenwriters. Now he's set for a whole new experience when his directorial debut THE NINES opens in Los Angeles and New York on August 31.
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Over the course of the summer, visitors to the University Park campus have watched the construction on the new cinematic arts complex make great strides. Now, as construction heightens, any one can track its development thanks to a 24/7 camera.
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Naomi Foner Gyllenhaal brings her entertainment-industry acumen and her talent for interpersonal observation to the USC Libraries as she prepares to chair the selection committee for the coveted USC Libraries Scripter Award.
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On August 21, a new DVD from Fox Home Entertainment will treat film enthusiasts to a rare glimpse into the formative early works of nine directors who, in addition to having made unique and indelible impressions upon the industry and the movie-going public, can all trace their roots to the School of Cinematic Arts.
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In a first of its kind event, the Office of Alumni Relations in cooperation with the Office of Student-Industry Relations brought students, alumni, faculty and other movie fans together for a summer screening of short and feature films by SCA alumni that have played at recent international film festivals during “Best of the Festivals” at the Frank Sinatra Hall in the Eileen Norris Cinema Theater Complex on July 22.
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The confetti from last October’s formal groundbreaking for the new Cinematic Arts complex had barely been cleared before construction crews began burrowing down some 25 feet to excavate the footprint of the massive 137,000-square-foot edifice.
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An interactive media research team from the University of Southern California, supported by members of Congress from both sides of the aisle and key political reform groups, launched The Redistricting Game on Capital Hill on Wednesday, June 13, 2007.
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Just because the regular school year has ended doesn’t mean the lazy days of summer have come to the School of Cinematic Arts. With teaching teams deployed around the globe and scores of international students arriving over the next two months—including a contingent funded by an exclusive State Department grant—the SCA has become one of the summer’s hot spots.
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The promise and variation of interactive design was on display at this year’s Interactive Media Division (IMD) thesis show, “Are You Here.”
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Joined by an Oscar-winning special effects master; a legendary actor, director, producer and composer; and a world-renowned pioneer of electronic games, the School of Cinematic Arts celebrated the past, present and future of entertainment as it heralded the arrival of its newest graduating class on May 11.
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In their first major conference, the Women of Cinematic Arts brought current students, recent alumni, faculty, and other interested members face-to-face with successful professionals working in the industry who shared their experience, insight, and inspirational stories during the May 5 “Reel Talk” at the Zemeckis Center for Digital Arts.
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Acclaimed actor, director and producer Clint Eastwood will receive the first Honorary Alumni Award ever conferred by the USC School of Cinematic Arts during its 2007 commencement exercises on May 11.
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For Keith Calder, Felipe Marino, and Joe Neurauter—three 2004 graduates of the Peter Stark Producing Program—attending the School of Cinematic Arts not only gave the trio an opportunity to discover all aspects of an industry they love, but it also resulted in the creation of one of the industry’s hottest new production companies.
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The average eight to ten days of a thesis film shoot could very well be the most important and stressful time spent on a set for any SCA production student, so when third-year M.F.A. candidate Lindsey Shockley cut that schedule to three days and added the challenge of capturing the entire film in one take, the pressure was enormous.
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Entertainment industry lore is filled with scores of “overnight sensations,” but in reality success is often the culmination of years of persistent effort, as Eric Anderson ’01 is discovering with his animated short Horses on Mars.
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Getting a thesis film written and produced is a daunting challenge for any graduate student, but with a film that encompasses 16 storylines and five different endings, third-year production M.F.A. student Greg Townsend has taken the process to unique heights. Now, after two years in the making, his non linear narrative Alternate Endings is set to be the first of its kind to premiere at the Norris Theatre on April 21.
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Ray Harryhausen, creator of the special effects that made mythological monsters come to life on the big screen, will receive the Mary Pickford Foundation Award at the USC School of Cinematic Arts 2007 commencement ceremony, Dean Elizabeth M. Daley announced today.
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While the movies have often brought women searching for Mr. Right to comedic or terrifying heights, Animation M.F.A. graduate student Ben Shalom has mixed his imagination with high end animation software and digital arts science to take the familiar scenario to new levels of animated proportions.
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Writing about films and making movies, writer/director Russell Brown ’97 is living his dream. Now, 10 years after graduating from USC with a B.A. in critical studies, the creator and co-editor of the entertainment and political online critical magazine The Simon.com is getting ready for a whole new experience with the Los Angeles release of his first feature film Race You To The Bottom on March 30.
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Interactive media pioneer, engineer and writer Will Wright, whose Sims game series is recognized around the globe, will be the featured speaker at the USC School of Cinematic Arts 2007 commencement ceremony on Friday, May 11, Dean Elizabeth M. Daley announced today.
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Film and technology decision-makers are set to network and share ideas with over 300 of the industry’s most innovative digital media insiders at the very first Future of Film conference in Beverly Hills on March 21, 2007.
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If you’re wondering what life will be like after graduation, then in the corner of the courtyard at the School of Cinematic Arts is an office under the auspices of Associate Dean Larry Auerbach that, although small in size, will make a huge impact on your career in the industry.
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While the weight of a person’s soul may seem to solve the question of faith for a doctor in smallpox-plagued colonial Boston, for a team of production graduate students, the man’s doubt as well as film festival success just may be realized in The Lost Journal of Vice Marceaux.
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When Aaron Thomas’ name was among those nominated for Outstanding Writing in a Dramatic Series with the NBC drama, Friday Night Lights at the 38th annual NAACP Image Awards, Thomas had his own unique response.
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The 79th Annual Academy Awards on Feb. 25 were kind to three USC alums, who netted golden statuettes for best actor (Forest Whitaker, USC School of Theatre ’82), best live action short film (Ari Sandel, USC School of Cinematic Arts ’05) and best achievement in visual effects (John Knoll, USC School of Cinematic Arts ’84).
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Despite being surrounded by generations of cinematic artists throughout her childhood, Jenna Rosher had no intention of entering the entertainment industry when she graduated with a journalism degree from the USC Annenberg School for Communication in 1995.
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Dr. E. Russell McGregor II, the first interim dean of the School of Cinematic Arts and former professor in the Division of Film & Television Production, passed away on February 7, 2007 in San Luis Obispo. He was 76.
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Charles S. Swartz, respected throughout the entertainment industry and academia for his role in shepherding innovations that broke new ground in cinematic content, distribution, and display, passed away on February 10 from pneumonia, his family announced today.
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In an era when network economics are skewing prime-time fare toward reality shows and infotainment programming, launching a big-budget, large-cast, theatrical-quality series would seem a super-heroic feat. But, like the individuals he’s created for NBC’s Heroes, Tim Kring draws his power from the basics: Great characters, solid stories and a clockwork production schedule.
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David E. James, professor in critical studies at the USC School of Cinematic Arts, has been named one of two 2007 Academy Film Scholars by the Academy of Motion Picture Arts and Sciences.
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From the freezing temperatures of Sundance, to the multinational markets of Dubai, to the mountain scenery of Switzerland, director Ari Sandel ’05 has traveled the world showcasing his musical comedy West Bank Story. But on February 25, no place can compare to the glitz and glamour of Hollywood when the School of Cinematic Arts production graduate walks the red carpet as one of the five nominees for Best Live Action Short at the 79th Annual Academy Awards.
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As the study of video games spreads across disciplines, the University of Southern California is establishing a new USC Games Institute to unify and represent USC game research on and off campus.
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Though Park City temps were sub-zero, School of Cinematic Arts (SCA) alumni, students, and faculty were in the glow as they celebrated the official USC screenings selected for this year’s Sundance Film Festival.
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While a magic lantern might seem like it belongs with Aladdin and his flying carpet, in reality, the classic piece of pre-cinema history from the late 1700s is coming to life as part of a unique photography show by SCA staffer Vince Gonzales.
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For some, attending film school is a chance to delve deeper into their cinematic passion, while for others, like alumnus James Taylor ’97, the discovery of what lies before them is a journey filled with experiences of operatic proportions. Now, 10 years after graduating from USC with a B.A. in production, Taylor is one of Southern California’s most provocative reviewers and commentators on the performing arts.
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Though the roles of Jewish people throughout California are undeniably important to the state’s cultural development, until now, Jewish California has been a little studied aspect of American history. That’s all about to change as a new interactive media project gets underway.
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From reporting the latest industry news to the hottest entertainment gossip, reporters have continually stirred a plethora of reactions and measures over what they’ve written amongst industry professionals. And in 2005, following the publication of a New York Times article entitled “Hollywood’s New Old Girl’s Network,” a group of USC women turned something potentially damaging and depressing into something exponentially rewarding by forming the Women of Cinematic Arts group.
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Elizabeth Daley, dean of the USC School of Cinematic Arts, was honored last fall at a ceremony celebrating the contribution of women in the film industry.
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The author of Children of Men and the screenwriters of the film based on the book have won the 19th annual USC Libraries Scripter Award.
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The Entertainment Technology Center at the University of Southern California (ETC-USC), a neutral, non-partisan research organization in the School of Cinematic Arts that studies entertainment technology developments that are critical to the creative community; production companies; content owners, distributors and exhibitors; and technology companies has tapped entrepreneur, technologist, and Hollywood veteran David Wertheimer to lead the organization.
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In the early 1970s in San Francisco, Judy Irola, now the head of cinematography in the USC School of Cinematic Arts, was part of a groundbreaking Marxist filmmaking collective called Cine Manifest.
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As an entertainment epicenter, Los Angeles and USC have a long history of drawing artists from around the nation to learn about the cinematic arts. Now those lessons are carrying well beyond the U.S., as scores of undergraduates and graduates from abroad bring the lessons learned at the School of Cinematic Arts to an international audience.
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Frank Price, a USC Life Trustee and Chair of the Board of Councilors for the School of Cinematic Arts, has been nominated by President George W. Bush to a six-year term on the National Council on the Arts. The council advises the chairman of the National Endowment for the Arts on grants to be made by the endowment.
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The Institute of Electrical and Electronics Engineers (IEEE) has named School of Cinematic Arts Professor Tom Holman as the recipient of its 2007 Masaru Ibuka Award, recognizing Holman’s contribution to the development of advanced audio and cinema multi-channel playback systems.
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The legacy of using creativity to both inspire and inform people around the globe thrives at the USC School of Cinematic Arts in the John C. Hench Division of Animation & Digital Arts, which was officially named after the great Disney artist on September 10 through a $5 million endowment gift from the John C. Hench Foundation.
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One of the hallmarks of the School of Cinematic Arts is an environment where theory and practice interact—even, at times, collide. For faculty who balance careers in the industry and university, it can prove an interesting juggling act. Just ask Howard A. Rodman, who’s spent the past year chairing the writing division and teaching, while at the same time penning a pilot for HBO and edging his adaptation of the 1985 nonfiction book Savage Grace toward the big screen.
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Four production graduates of the USC School of Cinematic Arts have gotten the jump on this year’s award season with an impressive showing at the 12th Annual DGA Student Film Awards.
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The dodo, that famously dumb and dead bird, has been brought back from extinction in a feature film garnering praise everywhere it plays since its world premiere at the 2006 Tribeca Film Festival in New York City. Now, the acclaimed film will have a special USC screening on February 10, 2007 at the Norris Theatre.