An Evening with Hirokazu Kore-eda and NOBODY KNOWS (2004)

October 25, 2017, 7:00 P.M.

The Ray Stark Family Theatre, SCA 108, George Lucas Building, USC School of Cinematic Arts Complex, 900 W. 34th Street, Los Angeles, CA 90007

The SCA Bryan Singer Division of Cinema and Media Studies, Outside the Box [Office], Tadashi Yanai Initiative for Globalizing Japanese Humanities at UCLA, UCLA Film & Television Archive, UCLA Asian Languages & Culture Department, USC East Asian Studies Center, Waseda University, Terasaki Center for Japanese Studies, Japan Foundation, and IFC Films, invite you and a guest to a attend 
 

An Evening with Hirokazu Kore-eda
and Nobody Knows (2004)

 
Written, Directed, and Produced by Hirokazu Kore-eda

Followed by a Q&A with Hirokazu Kore-eda
Moderated by Dr. Akira Mizuta Lippit,
Vice Dean of Faculty, USC School of Cinematic Arts

7:00 P.M. on Wednesday, October 25th, 2017

The Ray Stark Family Theatre, SCA 108
900 W. 34th Street, Los Angeles, CA 90007

FREE ADMISSION. OPEN TO THE PUBLIC. RSVPs REQUIRED.

 

This event is part of "Hirokazu Kore-eda: Cinema from the Outside In", Presented by The Yanai Initiative at UCLA and Waseda University.

Learn more about the series at: https://www.cinema.ucla.edu/events/2017/hirokazu-koreeda-cinema-from-outside-in
 

About Hirokazu Kore-eda


Hirokazu Kore-eda was born in 1962 in Tokyo, Japan. After graduating from Waseda University in 1987, Kore-eda joined TV Man Union where he directed several award-winning documentary programs. In 2014, he launched his production company BUN-BUKU.

In 1995, his directorial debut, Maborosi, based on the original novel by Miyamoto Teru, won the 52nd Venice International Film Festival’s Golden Osella. After Life (1998), distributed in over 30 countries, brought Kore-eda international acclaim. In 2001, Distance was selected in the Official Competition at the Cannes Film Festival; and Yagira Yuya, the star of his fourth work Nobody Knows (2004), garnered much attention for becoming the youngest person ever to receive the Cannes Film Festival’s Best Actor Award. In 2006, Hana, a film centered on vengeance, became his first attempt at a period piece. In 2008, he presented the family drama Still Walking, which reflected his own personal experiences, and received high praise from around the world. In 2009, Air Doll made its world premiere in Un Certain Regard at the 62nd Cannes Film Festival and was widely-praised for marking a new frontier in its depiction of a sensual love fantasy. In 2011, I Wish won the Best Screenplay Award at the 59th San Sebastian International Film Festival. In 2012, he made his TV series directorial debut with Going Home. Like Father, Like Son (2013), won the Jury Prize at the Cannes Film Festival, received the audience awards at San Sebastian, Vancouver, and Sao Paulo International Film Festivals and broke the box office records of his previous films in many territories.

Kore-eda has also produced films for young Japanese directors. Kakuto, directed by Iseya Yusuke, premiered at the International Film Festival Rotterdam 2003. Wild Berries (2003) was written and directed by Nishikawa Miwa whose second feature Sway premiered in Directors’ Fortnightat Cannes in 2006. Ending Note: Death of a Japanese Salesman (2011) by Sunada Mami moved audiences worldwide.

About Nobody Knows (2004)


Four siblings live happily with their mother in a small apartment in Tokyo. The children all have different fathers and have never been to school. The very existence of three of them has been hidden from the landlord. One day, the mother leaves behind a little money and a note, charging her oldest boy to look after the others. And so begins the children's odyssey, a journey nobody knows. Though engulfed by the cruel fate of abandonment, the four children do their best to survive in their own little world, devising and following their own set of rules. When they are forced to engage with the world outside their cocooned universe, the fragile balance that has sustained them collapses.

Provided courtesy of IFC Films. Rated PG-13. Running time: 141 minutes.

 

About Dr. Akira Mizuta Lippit


Akira Mizuta Lippit is Vice Dean of Faculty in the School of Cinematic Arts, and Professor in the Division of Cinema and Media Studies. He is also Professor of Comparative Literature and East Asian Languages and Cultures in the USC Dornsife College. His interests are in world cinemas, critical theory, Japanese film and culture, experimental film and video, and visual studies. Lippit’s published work reflects these areas and includes four books, Ex-Cinema: From a Theory of Experimental Film and Video (2012); Atomic Light (Shadow Optics) (2005); Electric Animal: Toward a Rhetoric of Wildlife (2000); and his most recent book, Cinema without Reflection: Jacques Derrida's Echopoiesis and Narcissism Adrift (2016). At present, Lippit is completing a book on contemporary Japanese cinema, which explores the physical and metaphysical dimensions of the "world," and another on David Lynch’s baroque alphabetics.

His work appears widely in journals and anthologies, and has been translated into Croatian, French, German, Italian, Japanese, Korean, Polish, and Spanish. He is past recipient of the Fulbright-Hays and Japan Foundation awards.

Lippit is the General Editor of the journal Discourse, and is active in the independent film community where he programs events, serves on festival juries, and interviews filmmakers. He regularly teaches, lectures, and publishes in Japan, where he is a founding editor of the visual culture journal Ecce.

About Outside the Box [Office]


Outside the Box [Office] is a weekly showcase for upcoming releases highlighting world cinema, documentary and independent film titles. Recognizing a need for greater diversity on campus, the series will draw from around the globe to present movies that may challenge, inspire or simply entertain.

To view the calendar of screenings, click here

To SUBSCRIBE to our MAILING LIST for upcoming free screenings and events, e-mail the word "Subscribe" to: aago@cinema.usc.edu

Join our Public Group on Facebook: https://www.facebook.com/groups/223769338060863/
 

Check-In & Reservations


This screening is free of charge and open to the public. Please bring a valid USC ID or print out of your reservation confirmation, which will automatically be sent to your e-mail account upon successfully making an RSVP through this website. Doors will open at 6:30 P.M.

All SCA screenings are OVERBOOKED to ensure seating capacity in the theater, therefore seating is not guaranteed based on RSVPs. The RSVP list will be checked in on a first-come, first-served basis until the theater is full. Once the theater has reached capacity, we will no longer be able to admit guests, regardless of RSVP status.

Parking


The USC School of Cinematic Arts is located at 900 W. 34th St., Los Angeles, CA 90007. Parking passes may be purchased for $12.00 at USC Entrance Gate #5, located at the intersection of W. Jefferson Blvd. & McClintock Ave. We recommend Parking Structure D, at the far end of 34th Street. Metered street parking is also available along Jefferson Blvd.

Contact Information

Name: Alessandro Ago
Email: aago@cinema.usc.edu