A Master Class with Stanley Nelson

December 8, 2016, 2:00 P.M. - 4:00 P.M.

The Albert and Dana Broccoli Theatre, SCA 112, George Lucas Building lobby, USC School of Cinematic Arts Complex, 900 W. 34th Street, Los Angeles, CA 90007

The USC School of Cinematic Arts, International Documentary Association (IDA), and Firelight Media, invite you and guest to attend
 

A Master Class with Stanley Nelson

Co-Hosted by SCA Faculty Mark Jonathan Harris and Kara Keeling

 
2:00 P.M. - 4:00 P.M. on Thursday, December 8th, 2016

The Albert and Dana Broccoli Theatre, SCA 112
George Lucas Building, USC School of Cinematic Arts Complex
900 W. 34th Street, Los Angeles, CA 90007

FREE ADMISSION. OPEN TO THE PUBLIC. RSVPs REQUIRED.

 

 

About Stanley Nelson


Stanley Nelson’s work is known for examining the history and experiences of African Americans. His most notable films are The Black Panthers: Vanguard of the Revolution, Freedom Riders, Wounded Knee, Jamestown: The Life & Death of People’s Temple, The Murder of Emmett Till; and most recently Beyond Brown: Pursuing the Promise. With nine films at Sundance and multiple industry awards to his credit, Nelson is acknowledged as one of the premier documentary filmmakers working today. Firelight Media is a non-profit production company, which provides technical education and professional support to emerging documentarians.

       
 

About the Hosts


MARK JONATHAN HARRIS, USC Distinguished Professor

Professor Mark Jonathan Harris is an Academy-Award winning documentary filmmaker, journalist and novelist. Among the many documentaries he has written, produced and/or directed are The Redwoods, a documentary made for the Sierra Club to help establish a redwood National Park, which won an Oscar for Best Short Documentary in 1968. The Long Way Home (1997), a film made for the Simon Wiesenthal Center about the period immediately following the Holocaust won the Academy Award for Best Feature Length Documentary (1997). Into the Arms of Strangers: Stories of the Kindertransport was produced for Warner Bros. and won an Academy Award for Best Feature Length Documentary in 2000. In 2014, it was also selected for permanent preservation in the National Film Registry.

Unchained Memories: Readings from the Slave Narratives (2003), an HBO documentary he wrote on slavery in America, was nominated for an Emmy for Non-fiction Special. In 2007, he produced Darfur Now, which was nominated by The National Board of Review and the Broadcast Film Critics Association for best documentary of the year. The film went on to win an NAACP Image Award.

He also wrote The Cutting Edge:  The Magic of Movie Editing, a documentary about editing produced by BBC-TV, NHK, and STARZ, which is shown in film schools around the world (2004). In 2006, he produced Darfur Now, a film about the humanitarian crisis in Africa, which was nominated as best documentary of the year by the National Board of Review and the Broadcast Film Critics Association and won an NAACP Image Award. Living in Emergency: Stories of Doctors Without Borders, a film he executive produced, premiered at the Venice film festival and was shortlisted for the 2011 Oscar for best feature documentary. Code Black, another documentary he executive produced about ER doctors, won the Grand Jury Prize for Best Documentary at the 2013 Los Angeles Film Festival. Lost for Life, a film he produced about juvenile murderers who are sentenced to life imprisonment without parole, aired on both the BBC and the Lifetime Movie Channel in 2014. For the past three years he and Professor Marsha Kinder have led a team of filmmakers in creating a video intensive website on autism, www.interactingwithautism.com which was launched in September 2013. 

In 2010 the International Documentary Association honored him with their Scholarship and Preservation Award.

In addition to filmmaking, Harris is also a journalist and has published short stories and five novels for children. He has taught filmmaking at the School of Cinematic Arts since 1983.

KARA KEELING, USC Associate Professor of Cinema and Media Studies

Kara Keeling is Associate Professor of Cinema and Media Studies in theSchool of Cinematic Arts and of African American Studies in the Department of American Studies and Ethnicity at the University of Southern California. Keeling is author of The Witch's Flight: The Cinematic, the Black Femme, and the Image of Common Sense (Duke University Press, 2007) and coeditor (with Josh Kun) of a selection of writings about sound and American Studies entitled Sound Clash: Listening to American Studies (Johns Hopkins University Press, 2012), and (with Colin MacCabe and Cornel West) a selection of writings by the late James A. Snead entitled European Pedigrees/African Contagions: Racist Traces and Other Writing (Palgrave Macmillan, 2003). Keeling also has written several articles that have appeared in the journals GLQ, Qui Parle, The Black Scholar, Women and Performance, Cultural Studies, and elsewhere.

About Firelight Media


Firelight produces award-winning films that expose injustice, illuminate the power of community and tell a history seldom told. Firelight connects these films with concrete and innovative ways for diverse audiences to be inspired, educated, and mobilized into action. We are dedicated to developing talented documentary filmmakers that advance underrepresented stories, moving them from the margins to the forefront of mainstream media through high quality, powerful productions.

At Firelight we believe media can transform viewers into active citizens. Through film broadcasts, community engagement projects, transmedia and social media campaigns, Firelight is dedicated to independent filmmaking as a vehicle for education and empowerment.

Visit the Official Website: http://firelightmedia.tv
Visit the Facebook Page: https://www.facebook.com/firelightmedia
Visit the Twitter Page: https://twitter.com/firelightmedia
Visit the Instagram Page: https://www.instagram.com/firelightmedia/
Visit the Vimeo Channel: https://vimeo.com/firelight

About the International Documentary Association (IDA)


Documentary storytelling expands our understanding of shared human experience, fostering an informed, compassionate, and connected world. The International Documentary Association (IDA) is dedicated to building and serving the needs of a thriving documentary culture. Through its programs, the IDA provides resources, creates community, and defends rights and freedoms for documentary artists, activists, and journalists.

Visit the Official Website: http://www.documentary.org/
Visit the Facebook Page: https://www.facebook.com/documentary.org
Visit the Twitter Page: https://twitter.com/IDAorg
Visit the Instagram Page: https://www.instagram.com/idaorg/
Visit the LinkedIn Profile: https://www.linkedin.com/groups/1023667/profile
Visit the YouTube Channel: https://www.youtube.com/user/documentaryIDA

Check-In & Reservations


This event is free of charge and open to the public. Please bring a valid USC ID or print out of your reservation confirmation, which will automatically be sent to your e-mail account upon successfully making an RSVP through this website. Doors will open at 1:30 P.M.

All SCA screenings are OVERBOOKED to ensure seating capacity in the theater, therefore seating is not guaranteed based on RSVPs. The RSVP list will be checked in on a first-come, first-served basis until the theater is full. Once the theater has reached capacity, we will no longer be able to admit guests, regardless of RSVP status.

Parking


The USC School of Cinematic Arts is located at 900 W. 34th St., Los Angeles, CA 90007. Parking passes may be purchased for $12.00 at USC Entrance Gate #5, located at the intersection of W. Jefferson Blvd. & McClintock Ave. We recommend Parking Structure D, at the far end of 34th Street. Metered street parking is also available along Jefferson Blvd.

Contact Information

Name: Alessandro Ago
Email: aago@cinema.usc.edu