Akira Mizuta Lippit, Ph.D.
Professor, Division of Cinema & Media Studies
Vice Dean of Faculty
Division of Cinema & Media Studies
Work Phone: 213.740.6919
Akira Mizuta Lippit is Vice Dean of Faculty in the School of Cinematic Arts, and Professor in the Division of Cinema and Media Studies. He is also Professor of Comparative Literature and East Asian Languages and Cultures in the USC Dornsife College. His interests are in world cinemas, critical theory, Japanese film and culture, experimental film and video, and visual studies. Lippit’s published work reflects these areas and includes four books, Ex-Cinema: From a Theory of Experimental Film and Video (2012); Atomic Light (Shadow Optics) (2005); Electric Animal: Toward a Rhetoric of Wildlife (2000); and his most recent book, Cinema without Reflection: Jacques Derrida's Echopoiesis and Narcissism Adrift (2016). At present, Lippit is completing a book on contemporary Japanese cinema, which explores the physical and metaphysical dimensions of the "world," and another on David Lynch’s baroque alphabetics.
His work appears widely in journals and anthologies, and has been translated into Croatian, French, German, Italian, Japanese, Korean, Polish, and Spanish. He is past recipient of the Fulbright-Hays and Japan Foundation awards.
Lippit is the General Editor of the journal Discourse, and is active in the independent film community where he programs events, serves on festival juries, and interviews filmmakers. He regularly teaches, lectures, and publishes in Japan, where he is a founding editor of the visual culture journal Ecce.
Cinema without Reflection: Jacques Derrida's Echopoiesis and Narcissism Adrift (University of Minnesota Press, Forerunners, 2016)
Ex-Cinema: From a Theory of Experimental Film and Video (University of California Press, 2012)
Atomic Light (Shadow Optics) (University of Minnesota Press, 2005)
Electric Animal: Toward a Rhetoric of Wildlife (University of Minnesota Press, 2000)
David Lynch’s Anagrams and Missing Letters (in progress)
Japanese Cinema Outside, Elsewhere, In the World (in progress)