The School of Cinematic Arts, Luminous Processes LTD
and Rising Storm Productions
invite you and a guest to a special preview screening of
PARASOMNIA
(DREAMS OF THE SLEEPWALKER)
Written and Directed by William Malone
Featuring the Artwork of World-Renowned Master Surrealist Zdzislaw Beksinski
Followed by a Q&A with William Malone and members of the cast & crew
5:00PM on Sunday, June 21st, 2009
Norris Cinema Theatre/Frank Sinatra Hall
FREE ADMISSION. OPEN TO ALL.
ABOUT PARASOMNIA

Danny Sloan is looking for something solid in his life. After his girlfriend leaves him, he realizes that something is missing. Once he goes to visit a friend in rehab, he happens upon a beautiful girl, Laura Baxter, who is literally sleeping her life away. Suffering from a sleep disorder called Parasomnia, she has spent very precious time in an awakened state. Danny soon finds himself falling in love with Laura, but also finds himself at odds with another of the Laura's suitors. This fellow is a notorious criminal who seems to have the power to control another person by looking them in the eye. And you thought your love life was tough...
Provided courtesy of Luminous Processes LTD and Rising Storm Productions.
Not yet rated. Running time: 103 minutes.
To learn more about the film and to view the trailer, click here.
ABOUT THE GUESTS
William Malone (Writer, Director, Executive Producer)
At 19, William Malone arrived in Los Angeles and took a job at Don Post Studios, one of the world's busiest Halloween mask and costume shops. Modeling and designing by day, attending UCLA cinema lectures by night, Malone quickly established himself as a premiere mask maker. Within his first few years at DPS, he was made Vice-President and Head Designer. While there, he created a whole line of Horror and Science Fiction masks that sold worldwide. One of the most famous would become the face of Michael Myers in the 70’s horror classic
Halloween by John Carpenter. By the mid 80s, the filmmaking bug was too much to ignore. His first feature film, the
Alien-inspired
Scared to Death, was made on a budget of $80,000 and reached #16 on the U.S. Box Office charts, almost unheard of at the time for such a low budget. Three years later, he directed Klaus Kinski in the indie science fiction thriller,
Creature.

Although he worked diligently in television, where he directed for such shows as P
erversions of Science,
Dream On, and
New York Undercover, and hone in his screenwriting craft, selling two of his stories that would later become the premises for the films
Universal Soldier 2 and
Supernova, Malone was getting enormously frustrated with the feature film business which stalled many of his projects in years of development hell. He was going to abandon his film ambitions when one of those uncanny golden opportunities to shine occurred. That moment was a chance to direct an episode of the evocative HBO television horror anthology
Tales From the Crypt. Recommended by producer Gil Adler and encouraged by fellow filmmaker Robert Zemeckis, Malone dove into this creepy, terrifying tale of a single man with a history of violent behavior that picks up the wrong girl at a cocktail party. Featuring some truly amazing performances, dazzling camera work and, appropriately, the creepiest mask you've ever seen, Malone's episode, entitled "Only Skin Deep," was so well received that it was nominated for a cable ACE award and producer Joel Silver hired him to make his major studio debut and direct the remake of
House on Haunted Hill. That 1999 film version of the William Castle classic, which starred Jeffrey Rush and Famke Jenson, along with a star studded supporting cast, broke box-office records for a Halloween opening, and grossed 100 million world wide. The strength of that film propelled Malone towards a second film, the dark supernatural thriller
FeardotCom, which was shot in Europe and released in 2002. The latter film was savaged by critics for it's screenplay, but Roger Ebert, writing in the Chicago Sun Times, lauded Malone for his visual artistry, which made the film a treat to watch. Malone also won the Silver Melies Award for Fantastic Films in Europe, given at the Milan Film Festival.

Both
House on Haunted Hill and
FeardotCom gave Malone the opportunity and the budget to fashion his signature horrific worlds from scratch. While both of these films bear his unique stylistic stamp, he longed to have even more creative freedom to make stories that are more in keeping with his imaginative and quirky sensibilities. The producers over at
Masters of Horror provided Malone with that opportunity, and the results were a film which Entertainment Tonight film critic Leonard Maltin described as "creepy, genuinely scary… stylish and skillfully made", internet horror domiciles, Dread Central and The Horror Channel called it "the Perfect Dark Fairy Tale" and the great reviews kept coming. Encouraged, yet determined to keep his creative freedom, Malone has turned toward the world of indie filmmaking for his new project
Parasomnia... A unique entry into the genre, one Malone hopes will give audiences world-wide a fresh and entertaining experience.
Christian Sebaldt, ASC (Director of Photography)
Raised in Munich, Germany, Christian Sebaldt worked as a trainee at the Bavaria Studios and Lab from 1976-1978. Fondly considering the facility his home, he spent time in every department, including the visual effects unit, gaining experience that later served him well on such effects-heavy features as
Resident Evil: Apocalypse,
Bratz,
Starship Troopers 2,
Species 3,
Feardotcom,
Race to Space,
The Dark and others.
Although he was already entrenched in the film industry, Sebaldt's love for the craft was cemented when he worked on Rainer Werner Fassbinder's
Lili Marleen in 1980. During that time, Sebaldt vowed to be in Hollywood by the time he was 25, and, true to his word, on his 25th birthday he arrived in Los Angeles where he currently resides with his wife and child.
Christian Sebaldt has compiled more than 25 feature credits and has also photographed television shows, music videos, network promos, commercials, telefilms and documentaries. His work as a Director of Photography has taken him to many European countries as well as Asia, Africa, Canada, Mexico and all over the United States.
To find out more about Christian, visit his website at:
www.shortstackfilmworks.com.
Patrick KilPatrick (Actor, "Bryan Volpe")
After nearly dying in a car crash as a teenager, Patrick KilPatrick rehabilitated to largely do his own stunts in 100+ films and TV projects. His action film appearances span a multitude of genres and embrace an international Who’s Who of leading men: he’s starred opposite Tom Cruise in Steven Spielberg’s
Minority Report, opposite Chow Yun Fat in
Replacement Killers, Arnold Schwarzenegger and James Caan in
Eraser, Bruce Willis in
Last Man Standing,
Presidio opposite Sean Connery and Mark Harmon, Steven Segal in
Under Seige 2, two award-winning and highly rated original cable westerns opposite Tom Selleck,
Last Stand at Saber River and
Crossfire Trail, one western opposite Sam Elliot and Kate Capshaw – HBO’s Premiere Films adaptation of Louis L’Amour’s
The Quick and the Dead, and the ever-popular action mainstay,
Death Warrant, opposite Jean Claude Van Dammer, as The Sandman. He has even done battle with the largest mammal on Earth in
Free Willy 3. The versatile KilPatrick has played leads in everything from
American Playhouse to a film debut in Nick Roeg’s masterwork,
Insignificance, to Shakespeare’s
Anthony and Cleopatra at the Los Angeles Theater Center in the hands of Academy Award-winning director Tony Richardson.
Cherilyn Rae Wilson (Actor, "Laura Baxter")
With
Parasomnia now finished, Cherilyn Wilson marks the completion of three feature films in a year. The stylish thriller is set for release soon, as are two other independent features in which Ms. Wilson plays a leading role -- the comedy,
Extreme Movie and the horror-thriller,
Chain Letter. Emerging from early experiences in San Francisco theatre, she is currently shooting a recurring character role on the set of the all-new
90210 series (WB, on The CW network). Among her consistent television credits are six episodes of the HBO-produced
12 Miles of Bad Road.
In
Parasomnia (Dreams of the Sleepwalker), Cherilyn carries the lead role, as a young girl hospitalized with a rare sleeping beauty disease, which causes spontaneous respites from tormented sleep. As Laura Baxter, she portrays the innocence and vulnerability of an awakening child to a new world. There she meets a young man and falls in love. Simultaneously learning to overcome her fears in order to survive, in the terribly frightening world of her dreams.
ABOUT THE SCA ALUMNI SCREENING SERIES
This June through August, 2009, the SCA Alumni Screening Series will host a wide array of film screenings and filmmaker Q&As, highlighting new blockbuster and independent American films, international and documentary features and recent work by our SCA Alumni. These screenings will be hosted in various SCA venues, including Norris Cinema Theatre, as well as SCA 108 and SCA 110. All screenings are free to the public but will require an electronic reservation, which can be made through the website for each individual screening. Many screenings will be overbooked to ensure that capacity is met in the theater. Some screenings will be run from digital sources.
To view the calendar for the Alumni Screening Series, click here.
ABOUT CHECK-IN & RESERVATIONS
This screening is free of charge and open to the public. The theater will be OVERBOOKED to ensure capacity and the RSVP list will be honored on a first-come, first-serve basis, with no reserved seating. Please bring a photo ID or print out of your reservation confirmation, which will automatically be sent to your e-mail account upon successfully making an RSVP through this website. Doors will open at 4:30PM.
ABOUT PARKING
The USC School of Cinematic Arts is located at 900 W. 34th St., Los Angeles, CA 90007. Parking passes may be purchased for $8.00 at USC Entrance Gate #5, located at the intersection of W. Jefferson Blvd. & McClintock Avenue. We recommend parking in outdoor Lot M or V, or Parking Structure D, at the far end of 34th Street. Please note that Parking Structure D cannot accommodate tall vehicles such as SUVs. Free street parking is also available along W. Jefferson Boulevard.